::專(zhuān)輯說(shuō)明
Bernstein Coll-Vol.2(m58.net)
::專(zhuān)輯曲目
CD 1 – 19: MAHLER – The 9 Symphonies, plus the Adagio from the Tenth; the famous Berlin Philharmonic recording of the Ninth; Das Lied von der Erde with James King and Fischer-Dieskau (Decca); Orchestral Lieder with Lucia Popp, Andreas Schmidt, Thomas Hampson • CD 20 – 21: MENDELSSOHN’s “Scottish”, “Italian” and !”Reformation” Symphonies, plus the “Hebrides” Overture • CD 22 – 29: MOZART – the Late Symphonies and other symphonies, Piano Concertos KK450 and K453 with Bernstein as soloist. Two celebrated choral CDs – the Mass in C minor (with fillers) and the Requiem, a recording dedicated to the memory of Bernstein’s wide Felicia. • CD 30 - 31: PUCCINI’s La Bohème, recorded in Rome with the Accademia di Santa Cecilia and a daring young cast • CD 32 – 33: SCHUBERT – Symphonies nos. 5, 8 and 9 • CD 34 – 36: SCHUMANN’s Four Symphonies in Bernstein masterly survey plus the Piano Concerto (Frantz) and the Cello Concerto (Maisky) • CD 37 – 39: SHOSTAKOVICH Symphonies nos. 1, 7, 7 and 9 in Bernstein’s benchmark, award-winning performances • CD 40 – 42: Controversial but indispensable SIBELIUS: Symphonies nos. 1, 5, 6 and 7 • CD 42: rare RICHARD STRAUSS orchestral Lieder with Monserrat Caballé • CD 44 – 48: STRAVINSKY – recordings of the early ballets and the Symphonies, bursting with life. An exceptional recording of Les Noces, featuring Martha Argerich and Krystian Zimerman • CD 49 – 53: TCHAIKOVSKY – both the controversial broad, late interpretations of the last three symphonies and rarities from the late Seventies • CD 54: Dvořák’s Cello Concerto and Bloch’s impassionate Schelomo with Mischa Maisky (originally intended for Volume One) • CD 55 – 58: WAGNER’s Tristan, recorded on Philips in 1981, with Hildegard Behrens and Peter Hoffmann in the title roles. “For the first time, someone dares to perform this music as Wagner wrote it”, said Karl Böhm when he visited Bernstein during rehearsals. The Penguin Stereo Guide wrote: “The surprise is that Bernstein, over-emotional in some music, here exercises restraint to produce the most spacious reading ever put to disc … His rhythmic sharpness goes with warmly expressive but unexaggerated phrasing to give unflagging concentration and deep commitment … The love duet has rarely if ever sounded so sensuous with supremely powerful climaxes.” • CD 59 – 63: The American Decca Recordings: performances and analyses of Beethoven’s “Erocia”, Schumann’s Second, Dvořák’s “New World”, Brahms’s Fourth and Tchaikovsky’s “Pathétique” in recordings made in 1953 / 1956 • CD 64: BONUS CD Selections from 1945 / 1946 recordings of Bernstein‘s Fancy Free and On the Town, with original cast members
::音樂(lè)吧說(shuō)明
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 : : : 音樂(lè)育兒、養(yǎng)生專(zhuān)欄
是站長(zhǎng),也是孩子?jì)專(zhuān)l(fā)揮音樂(lè)奇妙作用,實(shí)踐出真知。好經(jīng)驗(yàn)要分享,也歡迎你發(fā)表碟評(píng)。
(音樂(lè)故事)
Auryn Quartet 是一支著名的弦樂(lè)四重奏團(tuán)體,由四位杰出的音樂(lè)家組成。該四重奏成立于1981年,最初是在科隆音樂(lè)學(xué)院的一次會(huì)議上形成的。四位成員分別是由Georgy Dimchev(第一小提琴)、Matthias Lingenfelder(第二小提...
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2023/7/7
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Auryn Quartet奧云弦樂(lè)四重奏 (查看全部專(zhuān)輯)
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